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Ahead of Walter White, there was Nancy Botwin, a suburban housewife turned pot trader to take care of her kids after her husband dies. Weeds can be a light comedy that grows progressively darker across the class of the series as the stakes are increased, however the series works best at its historical phases when it's just a mourning mother (Mary Louise Parker) out of her depth trying to sell dime bags at a traditional suburban community. It's funny, off beat, and irreverent, and occupied using a very funny supporting cast (Justin Kirk, Kevin Nealon, Elizabeth Perkins, Romany Malco). Weeds, but loses its appeal phases as Nancy Botwin works herself up the string to distribute drug kingpin and forgets about why.
Ozark, from part of the team supporting Ben Affleck's The Accountant, is the latest example of exactly what I call stress-watching television. A combination of Breaking Bad and blood-line, Ozark sees a money launderer (Jason Bateman) and his wife (Laura Linney) move from Chicago into back woods Missouri in a bid to wash $8 million within three months, lest their entire family be murdered by a Mexican drug cartel. It's not a fun show, and it's really hardly interesting, but it is the kind of series where the viewer is still worried to overeat through it to see if the antagonists will live and also how. It's a pleasant, well-written, well-acted series, and Bateman is excellent, however, the whole purpose of Ozark will be always to put the viewer through the wringer: It is stressed, and stressful, and also we do not watch for settlement; we see for relief.
Riverdale can be just a dark teen comedy founded on characters from the Archie comic book. It combines in parts of a conventional teen drama -- small-town life, love affair, and the high-school eco-system -- with a compelling murder puzzle. The show occurs at a small-town with a 1950s vibe (even though being firmly set in the present) by which a highschool teenager is found dead under mysterious conditions that spanned much of town as suspects. Riverdale is powered not just by the puzzle, but by characters that are instantly authenticated (Betty, Veronica, and Jughead are all standouts) and easy to put money into. The puzzle is incredibly fascinating it is almost impossible not to become wrapped up inside it us throughout different red herrings. It's a addictive seriescampy, and enough not to take itself badly
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